& Vid had driven to New York City with Corey Haibloom to attend ROCKY
CON ONE on October 28, 1979.
They said that they had a great time, even though the event was considered
After they returned from NYC, Julie & Vid floated the idea of forming
a proper ROCKY HORROR performance group for our theater.
Richard & I really liked the idea. THE RIVERSIDE
ROCKYS was fun and all, but we really wanted to take participation
to another level.
In November 1979, we founded our cast. Julie suggested the name "EROTIC
NIGHTMARES". It had a nice ring to it.
EROTIC NIGHTMARES was
one of the first regular, full-time Rocky Horror performing groups on
the West Coast.
The core group was Vid Kadavere as Frank, Julie Ford as Columbia, Richard
Gifford as Riff-Raff, and me.
Other core members included Lisa Ciafu and Selina Phanara trading off
as Magenta, Sherri Johnson as Janet, and Kurt Koenig as Brad.
Patrick Miller & Doug Witt traded-off as Rocky, and Cindy Okert as
Lisa would double as Columbia and as Trixie The Usherette.
There was also Joe Jones, David Cruikshank, Whitney, Terri, Toni, Tammy,
Cindy, Diane and a lot other Transylvanians.
And there were other participants whose names I will never, ever remember.
Matt had moved on, and Richard was the obvious choice to play Riff Raff.
It suited his personality.
In January 1980, Richard, Julie, Vid & I moved into an apartment at
10652 Burton Street in La Sierra.
It became our "Castle" and ROCKY HORROR became our life.
TROY MARTIN, JULIE FORD, VID KADAVERE
MAGENTA JO, RICHARD GIFFORD
West Hollywood CA
by Jeff Riley
1979 - 1981
La Sierra CA
theater was the United
Artists Theater 4 - Tyler Mall, located
at 3485 Tyler Street in Riverside, CA.
Depending on the size of the crowd, we would do our shows either in Theater
1 or Theater 3.
Theater 1 was huge and seated 300. Theater 3 seated about 100. Most of
our shows were done in Theater 1.
Having two different sized theaters to work in was a great experience!
It showed us how to adjust our show to diffrent sized rooms.
I saw a lot of other films here: "Star Trek: The Motion Picture",
"The Warriors", and "Apocalypse Now",
to name but a few.
We ate at The Krazy Greek which was around the corner. Still one of the
best burritos I have ever eaten.
And of course we dined at Denny's on Magnolia Avenue after our shows.
All of our "party favors" came from The Wooden Indian, a headshop
on Hole Avenue.
I was able to buy liquor because I looked older. No one ever checked my
I had a job at The Gold Mine, an arcade inside Tyler Mall, fixing pinball
It was within walking distance of our Castle, our theater and Licorice
Licorice Pizza was the best record store in town, and it was where we
got most of our music.
When we were in Hollywood, we always went to Tower
KROQ 106.7 was our favorite station. KMET & KLOS played the same classic
dinosaur songs over and over and over again.
I could only stand so many plays of "Stairway To Heaven"
and "Free Bird" before I started spinning the dial for
70's Punk, Ian Dury & The Blockheads, X, Dead Kennedys, The Flying
Lizards, DEVO, the B-52's, Sex Pistols, and Frank Zappa got a lot of airplay.
Comedy LP's included "Revolting" by Congress Of Wonders,
National Lampoon's "Radio Dinner" and "Lemmings",
Cheech And Chong, and George Carlin.
We had Tim Curry's first two albums "Read My Lips" and
"Fearless", "Bat Out Of Hell" by Meat
Loaf', and 45 RPM singles by Little Nell.
On August 19,1980, Richard, Selina, Joe & I went to see DEVO at Raincross
Square. They were scheduled to play two shows that night.
But DEVO cancelled their second set at the last minute. The punks rioted,
and the cops tear-gassed the crowd. WOW!...my first real punk show!
DEVO came back a week later and put on one of the best shows I've ever
night, Richard & I went to The Starwood and we saw X and D.O.A. play.
Watching X play changed my life. Billy Zoom inspired me to play guitar.
I started to play guitar a lot.
We listened to a lot different stuff. And we had the soundtracks from
other versions of "THE ROCKY HORROR SHOW" that were available
at the time.
we were deciding on our characters, it was clear that no one wanted to
play the part of The Criminologist.
Aside from Dr. Everett V. Scott, The Criminologist was the character that
audiences loved to hate.
It just seemed to me to be the most natural and obvious role for me to
play. No else one would touch the role. It was poison.
I knew I could handle the abuse from the audience, and it would strengthen
AND I got to lead "The Time Warp". When I was not on
stage, I would talk to the girls or watch the film to learn more details
about costumes, blocking, etc.
I know that I was not "The First" ROCKY HORROR fan to
play The Crim, but I do know that I was "ONE of The First".
Other than Darren Kimmel at the 8th Street Playhouse in NYC, there were
no other regular, performing Crims that I, or anyone else knew of.
I was the first Crim on the West Coast until Mark Williams started playing
the role the following year at the Cove Theater in Hermosa Beach.
For the next few years, I became one of the most visible Crims in the
growing ROCKY HORROR community.
My costume sucked. The velvet jacket was black and the pants were gray,
but my No-Neck shirt and vest were perfect.
It was all that I could find in my size and within my budget. I'm hard
to fit and I'm picky.
I was always looking for a "proper" smoking jacket with the
right materials and colors that actually fit me.
Then there was that !@%$#%@ ascot. It's burgundy velvet with black
soutache embroidered in "that pattern".
And of course, there were almost no images of the ascot to copy at the
After a few lame attempts to make one, Sherri's mom made one for me. I
still have this costume piece.
I would also play Transylvanian, using Vid's tailcoat and a fabulous,
yet tasteless shiny shirt that I had.
Even though my Crim costume was not perfect, one of the most fun things
to do was to help each other in creating our costumes.
House Of Fabrics, J.J. Newberry's, Columbia Makeup Store, and Zody's got
a lot of our business.
We would buy vintage pieces of clothing and alter them, rip them, soil
them, add and remove pieces from them.
Keep in mind that at that time, there was no DVD, VHS or Anal
Retentive Rocky Horror Costume Lists available.
We had to use production stills and memories from watching the film to
match the costumes.
We would hit every thrift store in town for costume pieces. If we couldn't
find it, we would make it ourselves.
Julie's Columbia corset had to be made by hand. At the time, you could
not find or buy the correct material for Columbia's corset.
In February 1980, Julie began working on her corset. Our entire cast each
took turns sewing in the sequins one-by-one.
Richard called it "The Tag-Team Corset". The end result
We really strived to look as close to the characters as we could. And
we would act like them.
I'd spray my hair with a whole can of silver Streaks N Tips. I
hated that hairspray. I still do.
It 's like wearing a helmet made of stiff hairspray.
After a few months, I got tired of it sweating off me, so I bleached and
colored my hair.
Julie and Vid also colored their hair to match Columbia & Frank.
Richard used a professional baldcap that he got from Doris at Columbia
Makeup Store at Gower
Gulch in Hollywood.
But one night at the Tiffany Theater, he met a girl in line and wound
up banging her in the back of his truck.
His bald cap was ruined, so he bleached his hair AND shaved his head.
Richard was the first shaved-head Riff-Riff in the entire ROCKY HORROR
It was a very bold and radical move on his part, and unheard of at the
time. But Richard WAS Riff-Raff.
We were a rather freaky and intimidating-looking bunch when we were out
of costume, too.
Wherever we went, people could not help but stop and stare at us.
NIGHTMARES did a lot of cool things together.
We enjoyed each others company, and thought of ourselves a real troupe
Julie, Vid and i went to see "Jubilee"
Punk Rock Movie" at the Vista
Theater in Hollywood.
To this day, the Vista is still one of my all-time favorite favorite thaeters.
Richard bought a 1967 Ford Country Squire Station Wagon like the one Brad
& Janet are driving in the film.
He altered the name plate to read "C*unt** Squire". But
the car was a lemon, and we never got to use it.
We would get around using Richard's truck, Julie's truck, or Vid's TR7.
NIGHTMARES were regular customers at
Book & Poster. They had things that no one else did.
We bought A&B Buttons and magazines from Alan Hiero's mail-order "THE
ROCKY HORROR SHOP".
A&B (Alba and Betty) Buttons were the first official ROCKY HORROR
merchandise to be licensed by 20th Century-Fox.
We bought all of our punk pins at Poseur
on Sunset & La Brea in Hollywood.
ROCKY HORROR PICTURE SHOW BOOK" by Bill Heinken and published
by Hawthorn Books went on sale in late 1979.
Every member of EROTIC NIGHTMARES
bought a copy within days of it's street date. I bought mine at Walden
Books at Tyler Mall.
I still have two First Edition, First Printings of the book. One of
them is pretty beat up and loaded with notations and autographs.
My other copy is pristine. I also have a First Printing by Plume Books
I also have a copy of "THE
OFFICIAL ROCKY HORROR PICTURE SHOW MOVIE NOVEL".
Making costumes got a lot easier. I have always wondered...how many
copies of the Movie Novel got cut up to make buttons?
We had all 4 of the Dargis posters along with a "THE
ROCKY HORROR PICTURE SHOW 1980 CALENDAR".
We also bought the poster magazines from Adam Sargis and his "ROCKY
HORROR INTERNATIONAL FAN CLUB".
His club was eventually absorbed into "THE ROCKY HORROR PICTURE
SHOW OFFICIAL FAN CLUB" organized by Sal
Over the years, Sal Piro has done more and has worked harder than anyone
else to promote ROCKY HORROR. Sal Piro is awesome.
February 2, 1980, we celebrated our First ROCKY HORROR Anniversary in
Theater #1 at the United Artists Theater 4 - Tyler Mall .
EROTIC NIGHTMARES were
now firmly established as THE CAST for ROCKY HORROR in Riverside
& the Inland Empire.
We were a regular, popular attraction. EROTIC
NIGHTMARES had their act together.
We would rehearse a lot and develop props. All the pieces seemed to fit
We were good...very, very good. We knew we had "that elusive ingredient".
TROY MARTIN, LISA CIAFU, MIKE ASSENBERG, WILL JOHNSON,
SELINA PHANARA, SHERRI JOHNSON, RICHARD GIFFORD, PATRICK MILLER, DOUG
February 2, 1980
the collection of Julie
Gartley, the manager of the United Artists Theater 4 - Tyler Mall deserves
Bill was really good to us, encouraged us, and he helped keep ROCKY HORROR
alive in Riverside for years.
Once we talked Bill into screening "Pink
Flamingos" as a Midnight Movie.
It played one night, and was never shown in the theater again.
At the time, I don't think any of us were prepared for what "Pink
Flamingos" had to offer.
But it still turned out to be one of our favorite films. And it still
After a while, Bill would bring in other films like "Dawn
Of The Dead", and "Quadrophenia".
One night we dressed up as zombies for "Dawn Of The Dead".
Kurt dressed up like "Flyboy". He looked absolutely hideous
and was covered in fake blood.
Afterwards, Kurt said he would never dress as "Flyboy" ever
When we asked why he said, "Chicks won't come near you when you
have that much blood on you."
Another film that caught our interest was "Phantom
Of The Paradise".
It was released on a double-bill with "THE ROCKY HORROR PICTURE SHOW"
at one point.
"Phantom Of The Paradise" was the "other" rock
'n'roll musical for ROCKY HORROR fans at that time.
And there were some other fun films as well.
wanted to play Eddie for a change of pace, and he was GREAT!
He did it a few times, even wearing the "Roxy" Eddie make-up.
VID KADAVERE & JULIE FORD
United Artists Theater 4 Tyler Mall
the collection of Julie
had put together a "London Frank" costume to try out on the crowd.
Our friend Joe mentioned to Richard that the panties he was wearing
looked pretty skimpy.
He suggested to Richard that he might want to wear another pair.
Richard simply replied, "If I don't wear these panties, the chicks
can't see my balls."
Later that night at the theater, there was a guy named Colin already
working the crowd out in front.
Colin was dressed in one of the lamest attempts of a "Sweet-T"
corset every seen in all of Transylvania.
Two guys were in line and one them pointed at Colin and said "Hey
look...there's Frank N Furter!"
His friend looked at Colin and told his friend "Nah...that isn't
Frank N Furter."
He pointed at Richard and said, "Now THAT'S Frank N Furter!"
On March 25, 1980, we sent a telegram to Richard O'Brien on his birthday,
and about a month later, he sent us a "Thank You" card.
Julie, Vid & I appeared on a radio show called "People And
Passions" on KUCR 88.3 FM.
The host had shown up at the theater, and he asked us to be on the show.
I forget his name.
He interviewed us about our ROCKY HORROR experiences, and we answered
his questions honestly.
We sounded great on the radio! Julie had the best voice for radio!
But we found out later that it was a show about genuine perverts
& sexual deviants. The real kind.
They didn't tell us that when we agreed to do the show. Needless to
say, we were disappointed.
EROTIC NIGHTMARES hit all of the
sci-fi and horror conventions and events.
On May 21, 1980, we all attended the premiere of "The Empire
Strikes Back" at the Egyptian Theater in Hollywood.
Another time, we went to a convention in Anaheim and walked out with
a bunch of ROCKY HORROR photos. The vendor didn't charge us for some
Later that night, we went to the the Tiffany Theater in Hollywood where
we heard about a ROCKY HORROR convention being held in Hollywood.
We got very excited! And we really wanted to go a ROCKY HORROR convention
together as a group.
Sloane organized "Annual Transylvanian Conventions" through
his production company, R.I.P. Productions.
Rick deserves special praise for his efforts. It was because of Rick
that ROCKY HORROR fans from all over California were able to meet and
He also had some great merchandise that no one else had. I bought a
Limited Edition of Richard O'Brien's
"THE ROCKY HORROR SCRAPBOOK" (#01809 of 2000) from
Rick. I also bought an "Original London Cast LP" from him.
Rick gave me a copy of "True Life Horror Stories" by
John Mandracchia, one the first ROCKY HORROR fanzines.
Rick went on to direct several films such as, "Blood
Theater" the "Vice
Academy" series, and "Hobgoblins".
July 20, 1980, we attended "The Second Annual Transylvanian
Convention" at the Holiday Inn in Hollywood.
Richard made a point of pinching every girls ass that he encountered
The crowd adored him, and he took both First Prize for "Best Costume"
and also "Best Riff-Raff" in the costume contest.
I will never forget the reception that the crowd gave Richard when he
took the stage. They simply wents nuts for him.
the collection of Rick Sloane
THE SECOND ANNUAL TRANSYLVANIAN CONVENTION
July 20, 1980
WINNER - "BEST COSTUME" & "BEST RIFF-RAFF"
July 20, 1980
we soon had our first group experience of that nasty beast called "Rocky
Another cast had sprung up at our theater. They called themselves
They were not as "good" as we were, but none one really cared...until....
One night, Richard was at the theater by himself, and Adam, the leader
of SENSUAL DAYDREAMS decided
to be a jerk.
He insulted EROTIC NIGHTMARES. He
said that we were "washed-up" (?!) and "inferior"
Richard kind of laughed it off, and he told us about it when he got
home. We laughed it off, too.
I don't think that the other members of SENSUAL DAYDREAMS were
in on it, or even aware of it.
SENSUAL DAYDREAMS were a nice bunch
of people. It was just Adam talking shit.
But the next night, Adam insulted us again. He also said that from now
on, SENSUAL DAYDREAMS would be the
"Exclusive Cast" for our theater.
He also said that all performances or input would have to be appproved
by him as the leader of SENSUAL DAYDREAMS,
He should have never said that...his little group couldn't touch EROTIC
NIGHTMARES when it came to performing ROCKY HORROR.
We figured..."Hey, Fuck You!". We decided the best
way to deal with it was to put on "The Ultimate Show".
The idea was that if we focused and put on the better show, that would
end the insults and bullshit.
We had five days to prepare, and prepare we did! We were open for business.
That was probably the most intense and creative week that we ever had
together as EROTIC NIGHTMARES.
EVERYONE in the cast showed up for rehearsal every day that week. We
rehearsed and spent hours on the routines, costumes, and new props.
We called all of our friends to come out and support us. And, we decided
to do some of the things that we had seen other casts do.
On Saturday night, we arrived at the theater, and Adam told us that
we were forbidden from performing.
I simply said, "Try and stop us." The color drained
from his face, and he was unable to say anything.
Our intention was to pull out all the stops and electrify the audience.We
were very successful.
The house was full of people that were in the mood for ROCKY HORROR,
so we gave 'em what they wanted!
Their enthusiasm was evident when they wents nuts as we made our entrance
into the theater.
I started the show with a bit of banter, we did the pre-show, and then
the movie started.
What drove the crowd insane was when we did one of the bits we saw done
at the Tiffany.
We created, a large set of 3-foot tall black letters that spelled out:
We held them up in sequence against the screen when Brad sings "Oh,
J-A-N-E-T! I love you so!"
The reaction from the audience was fabulous! Still one of the best that
I've ever seen!
We did our bits and then turned the stage over to SENSUAL
Our show went great! We would shift in between EROTIC
NIGHTMARES and SENSUAL DAYDREAMS.
We clearly out-classed SENSUAL DAYDREAMS
in every way.
In the words of one guy that was there that night, "It's clear
who's got the better show!"
and SENSUAL DAYDREAMS decided
that it was best if we all worked together from then on.
SINS OF THE FLESH
LAURA MITCHELL, STEVE GOODPASTER, GENE CUTHBERT, LAURIE GORDON
United Artists Theater 4 Tyler Mall
From the collection of Laurie Gordon
DAYDREAMS eventually changed
their named to SINS OF THE FLESH.
And Adam saw the error of his ways and turned out to be a good friend.
He looked out for people and encouraged them.
With everyone working together, ROCKY HORROR in Riverside was fun again.
We kept drawing bigger crowds, and got more innovative with our show.
the bright lights of Hollywood beckoned.
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